{"title":"BOOK","description":"","products":[{"product_id":"nobody-hurts","title":"Zine 'Nobody Hurt(s)'","description":"\u003cp\u003e One day, the devil captured the princess, and the princess kept screaming.\u003cbr\u003e \nThe devil said: \"You can scream as loud as you want, but no one will come to save you.\" The princess screamed: \"Scream my throat, scream my throat!\" No one: \"Princess, I'm here to save you!\" The devil said: \"Speak of the devil, and he will appear.\" The devil said: \"Devil, why are you calling me?\" The devil said: \"Wow, I see a ghost!\" The ghost said: \"Shit! Can you see me?\" Me: \"Me? I've always been here.\" Who called me? Who: \"No one called you?\" No one: \"I didn't call you. Are you looking for trouble?\" Trouble: \"Who's looking for me?\" Who: \"Looking for you?\" No one: \"No, no one's looking for trouble!\" No one wants trouble, no one wants to get hurt, so no one gets hurt.\u003c\/p\u003e","brand":"獨立出版","offers":[{"title":"Default Title","offer_id":46982657048814,"sku":null,"price":450.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0768\/4951\/2686\/files\/book_3.png?v=1776275384"},{"product_id":"chroma","title":"Chroma","description":"\u003cp data-start=\"87\" data-end=\"395\"\u003e\u003cstrong data-start=\"87\" data-end=\"109\"\u003eWhen form appears,\u003c\/strong\u003e\u003cbr data-start=\"109\" data-end=\"112\"\u003eour awareness of things dispels the darkness.\u003cbr data-start=\"157\" data-end=\"160\"\u003eYet the moment light arrives,\u003cbr data-start=\"189\" data-end=\"192\"\u003ethe meanings of color, encoded and disciplined by cultural symbols,\u003cbr data-start=\"258\" data-end=\"261\"\u003ebecome hazy, entrapping us once again.\u003cbr data-start=\"299\" data-end=\"302\"\u003eUnless we reclaim power by granting it:\u003cbr data-start=\"341\" data-end=\"344\"\u003eonly through giving can we gain our own strength.\u003c\/p\u003e\n\u003cp data-start=\"397\" data-end=\"903\"\u003eHow do we become aware of whether our choices of color\u003cbr data-start=\"451\" data-end=\"454\"\u003ehave been denied by culture itself?\u003cbr data-start=\"489\" data-end=\"492\"\u003eWhen we unconsciously retreat into black and white, or into shades of pink,\u003cbr data-start=\"567\" data-end=\"570\"\u003eit may be a kind of moral timidity,\u003cbr data-start=\"605\" data-end=\"608\"\u003ea fear of confronting courage.\u003cbr data-start=\"638\" data-end=\"641\"\u003eBy declaring that we \u003cem data-start=\"662\" data-end=\"670\"\u003ebelong\u003c\/em\u003e to a color,\u003cbr data-start=\"682\" data-end=\"685\" data-is-only-node=\"\"\u003eor that we \u003cem data-start=\"696\" data-end=\"711\"\u003elove only one\u003c\/em\u003e color,\u003cbr data-start=\"718\" data-end=\"721\"\u003ewe simply reinforce the stereotype that comforts us,\u003cbr data-start=\"773\" data-end=\"776\"\u003eas if each hue had already been assigned\u003cbr data-start=\"816\" data-end=\"819\"\u003eby certain events, by social roles,\u003cbr data-start=\"854\" data-end=\"857\"\u003eor by the materials to which it seems bound.\u003c\/p\u003e\n\u003cp data-start=\"905\" data-end=\"1173\"\u003eBut now that we have mastered the making of every color,\u003cbr data-start=\"961\" data-end=\"964\"\u003ewe can release its true power:\u003cbr data-start=\"994\" data-end=\"997\"\u003ecolor that speaks with things,\u003cbr data-start=\"1027\" data-end=\"1030\"\u003ethat contains all variations within its dialogue.\u003cbr data-start=\"1079\" data-end=\"1082\"\u003eOur strength lies in forming our own perception,\u003cbr data-start=\"1130\" data-end=\"1133\"\u003eour own response to every calculation.\u003c\/p\u003e\n\u003cp data-start=\"1175\" data-end=\"1354\"\u003eTo construct an abstract, synchronous structure of color\u003cbr data-start=\"1231\" data-end=\"1234\"\u003eis to let it exist beyond any single object,\u003cbr data-start=\"1278\" data-end=\"1281\"\u003eto make it a bridge between consciousnesses,\u003cbr data-start=\"1325\" data-end=\"1328\"\u003ea medium of description:\u003c\/p\u003e\n\u003cp data-start=\"1356\" data-end=\"1582\"\u003eDid the Big Bang create white?\u003cbr data-start=\"1386\" data-end=\"1389\"\u003eThe red-eye test.\u003cbr data-start=\"1406\" data-end=\"1409\"\u003eLove was once green.\u003cbr data-start=\"1429\" data-end=\"1432\"\u003e“Blue makes other colors tremble.”\u003cbr data-start=\"1466\" data-end=\"1469\"\u003eWhen did violet first appear in poetry?\u003cbr data-start=\"1508\" data-end=\"1511\"\u003eGray in life. Gray in the everyday.\u003cbr data-start=\"1546\" data-end=\"1549\"\u003eWere their undergarments black?\u003c\/p\u003e\n\u003cp data-start=\"1584\" data-end=\"1881\"\u003eTo observe color not merely as a surface attribute,\u003cbr data-start=\"1635\" data-end=\"1638\"\u003ebut as a subject with its own voice,\u003cbr data-start=\"1674\" data-end=\"1677\"\u003eit is a name, a narrative, an answer.\u003cbr data-start=\"1714\" data-end=\"1717\"\u003eColor can become a thing;\u003cbr data-start=\"1742\" data-end=\"1745\"\u003eand by moving upon it, we trace paths and destinations.\u003cbr data-start=\"1800\" data-end=\"1803\"\u003eBy delving into it,\u003cbr data-start=\"1822\" data-end=\"1825\"\u003ewe open an inner space where the self may freely wander.\u003c\/p\u003e","brand":"臉譜出版","offers":[{"title":"Default Title","offer_id":47023188705518,"sku":"FCP-BPK001-25A1","price":450.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0768\/4951\/2686\/files\/Frame_41.png?v=1758721308"},{"product_id":"manifestedusurrealisme","title":"Manifesto of Surrealism - Manifeste du Surréalisme","description":"\u003cdiv class=\"relative basis-auto flex-col -mb-(--composer-overlap-px) pb-(--composer-overlap-px) [--composer-overlap-px:28px] grow flex\"\u003e\n\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-(--header-height)\" dir=\"auto\" data-turn-id=\"d7b072e7-d2cf-4a72-9cea-c3892b3a196c\" data-testid=\"conversation-turn-43\" data-scroll-anchor=\"false\" data-turn=\"user\"\u003e\u003c\/section\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:ef90f668-aaa3-489d-8fe1-6e5d90954f2d-29\" data-testid=\"conversation-turn-44\" data-scroll-anchor=\"true\" data-turn=\"assistant\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"9ca4e92a-b713-4f41-b457-d3dcf1ae40d4\" dir=\"auto\" data-message-model-slug=\"gpt-5-3\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-turn-start-message=\"true\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003e\n\u003cp data-start=\"0\" data-end=\"366\"\u003eImagination is an indispensable source of joy. Many vivid sensory pleasures arise from illusion or fantasy, and absolute freedom implies withdrawing, deep within oneself, from any supreme notion of justice. In other words, only imagination allows me to become aware of everything that could possibly happen, and only the fear of madness makes us hold back from it.\u003c\/p\u003e\n\u003cp data-start=\"368\" data-end=\"936\"\u003eWe still live in an age dominated by logic, this, of course, is precisely what I wish to address. For now, logic is mostly used to solve secondary problems. Absolute rationalism has not disappeared, but it confines us to considering only what is closely tied to our lived experience. In doing so, we neglect the true purpose of logic. … If within the depths of our thinking there exists a kind of magical force, one that can amplify or even overcome the surface, then we should first capture this force, and only afterward, if necessary, allow reason to regulate it.\u003c\/p\u003e\n\u003cp data-start=\"938\" data-end=\"1056\"\u003eIn the 1924 \u003cem data-start=\"950\" data-end=\"975\"\u003eManifesto of Surrealism\u003c\/em\u003e, André Breton emphasized the importance of “not hesitating before conception.”\u003c\/p\u003e\n\u003cp data-start=\"1058\" data-end=\"1458\"\u003eIn the process of conception and experimentation, like dreaming, we embrace, without reservation, a series of strange episodes. Through this, entirely new connections and forms of description emerge. Even if reality does not yet reflect them, it is only due to certain constraints. And once we can identify and name these constraints, we gain the possibility of waiting for the day they are lifted.\u003c\/p\u003e\n\u003cp data-start=\"1460\" data-end=\"1583\"\u003eIf things do not go as desired, what, then, can one still do? I would like to place the key to this passage in his hands.\u003c\/p\u003e\n\u003cp data-start=\"1585\" data-end=\"1618\"\u003eTo you, reality may seem fixed.\u003c\/p\u003e\n\u003cp data-start=\"1620\" data-end=\"2040\"\u003eBut you forget the many futures that have yet to appear, the branching paths that once nearly took shape but were abandoned. You have lost interest in tracing them. But why let reality limit your desire to pursue these paths? If we have the ability to move toward a new place, it means that as long as you can imagine a better elsewhere, all you need is a different method, one that allows you to carve out a new path.\u003c\/p\u003e\n\u003cp data-start=\"2042\" data-end=\"2493\"\u003eAs a method of revolutionary thought, the 1930 \u003cem data-start=\"2089\" data-end=\"2121\"\u003eSecond Manifesto of Surrealism\u003c\/em\u003e further explains the misunderstandings, classifications, and oppositions encountered during its development. Breton calls on us to value inspiration and creation. At certain moments, passion acts like a short circuit, stimulating a unique form of inspiration that compels expression, almost involuntarily. Surrealism, then, is the deliberate recreation of such moments.\u003c\/p\u003e\n\u003cp data-start=\"2495\" data-end=\"2819\"\u003eIf we adopt surrealism as a method, if we unhesitatingly abandon the assumption that all things must “exist,” and if, through a path that does exist in the world, we can not only prove its existence but also help others walk it, then we declare that it is entirely possible to enter what is called the “non existent” path.\u003c\/p\u003e\n\u003cp data-start=\"2821\" data-end=\"3427\"\u003eAt the end of this book is Breton’s 1924 surrealist work \u003cem data-start=\"2878\" data-end=\"2892\"\u003eSoluble Fish\u003c\/em\u003e, following the manifesto that can also be read as a preface. Reading his work makes you believe in the potential of the body… to extend a third hand, to take a comb and brush the sun, feeling its warmth… or to push the limits of sensory perception, to feel blood flowing through the veins of stone… to touch, even twist, the boundaries of space, folding the ground of reality like paper, aligning the slanted edges of a street corner convenience store, arranging traffic signals and parking lines like lines of copy, reshaping them…\u003c\/p\u003e\n\u003cp data-start=\"3429\" data-end=\"3589\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eSurrealism seeks to summon the vitality of consciousness, inviting us, in the fullness of that vitality, to dissolve into our own thoughts, like a soluble fish.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-3 w-full empty:hidden\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"麥田出版","offers":[{"title":"Default Title","offer_id":47552260604142,"sku":null,"price":360.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0768\/4951\/2686\/files\/book_2-5-1.png?v=1769435443"},{"product_id":"falling-angel","title":"Zine 'Falling Angel'","description":"\u003cp data-start=\"78\" data-end=\"163\"\u003e\u003cem data-start=\"78\" data-end=\"93\"\u003eFalling Angel\u003c\/em\u003e is not about angels,\u003cbr data-start=\"114\" data-end=\"117\"\u003ebut about the state that comes after the fall.\u003c\/p\u003e\n\u003cp data-start=\"165\" data-end=\"346\"\u003eMoments of deviation, distortion, and suspension in mid-air\u003cbr data-start=\"224\" data-end=\"227\"\u003eare preserved, page by page.\u003cbr data-start=\"255\" data-end=\"258\"\u003eThe figures appear to be falling,\u003cbr data-start=\"291\" data-end=\"294\"\u003eyet they also seem to be adjusting to new positions.\u003c\/p\u003e\n\u003cp data-start=\"348\" data-end=\"487\"\u003eThis zine revolves around a simple idea:\u003cbr data-start=\"388\" data-end=\"391\"\u003ewe share the same sense of weightlessness,\u003cbr data-start=\"433\" data-end=\"436\"\u003eeven though each of us grows into a different form.\u003c\/p\u003e\n\u003cp data-start=\"489\" data-end=\"718\"\u003eThere are no standard answers between the images.\u003cbr data-start=\"538\" data-end=\"541\"\u003eLines loosen, proportions drift.\u003cbr data-start=\"573\" data-end=\"576\"\u003eBodies are stretched, rearranged, enlarged, or reduced within their scenes—\u003cbr data-start=\"651\" data-end=\"654\"\u003enot to clarify a narrative,\u003cbr data-start=\"681\" data-end=\"684\"\u003ebut to retain a state of becoming.\u003c\/p\u003e\n\u003cp data-start=\"720\" data-end=\"828\"\u003eYou are invited to take a look—\u003cbr data-start=\"751\" data-end=\"754\"\u003eat bodies and identities gradually taking shape\u003cbr data-start=\"801\" data-end=\"804\"\u003ein the midst of falling.\u003c\/p\u003e","brand":"獨立出版","offers":[{"title":"Default Title","offer_id":47598426620142,"sku":null,"price":980.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0768\/4951\/2686\/files\/book_2-12-1.png?v=1776353137"},{"product_id":"fragments-dun-discours-amoureux","title":"Fragments d'un discours amoureux","description":"\u003cp data-start=\"125\" data-end=\"204\"\u003eI want to ask you to become my lover, but not in order to fulfill a love story.\u003c\/p\u003e\n\u003cp data-start=\"206\" data-end=\"597\"\u003e“To govern love and make it entirely conform to my will is impossible.” And yet, we have arrived at such a time: nearly every form of emotion we have ever encountered has been carefully documented, dissected, and discussed. We can compare the many love stories we have heard, situate ourselves within certain narrative structures, and speculate endlessly about what our future might become.\u003c\/p\u003e\n\u003cp data-start=\"599\" data-end=\"715\"\u003eAnd still, this is nothing more than a kind of self deception. When it comes to love, how futile all preparation is.\u003c\/p\u003e\n\u003cp data-start=\"717\" data-end=\"1206\"\u003eIn Roland Barthes’s work, the lover is simply “the one who is in love.” Film criticism and reading groups, as practices that have existed for over a century, are only rarely preserved in the form of books. Through reading a classic of love such as \u003cem data-start=\"965\" data-end=\"995\"\u003eThe Sorrows of Young Werther\u003c\/em\u003e, fragments of love are gathered and scattered at once. To collect them, to create randomness. In this moment, perhaps you need to hear these words, and yet the very same words may become irrelevant in the next.\u003c\/p\u003e\n\u003cp data-start=\"1208\" data-end=\"1567\"\u003eBeyond love, there are always passing whispers. They brush against us, yet fail to stir the heart in the way that love does. Between these passing winds and our constant inner thoughts, which is more real? Do they exist at all? The evidence of feeling has the most elusive body. Each fleeting scene is like a single note that has slipped away from the melody.\u003c\/p\u003e\n\u003cp data-start=\"1569\" data-end=\"1975\"\u003eTo reach you where you are now, to provoke your inner dialogue and offer some measure of comfort, these fragments may intertwine with your own experiences. They become the basis through which you try to understand your present situation. Sometimes they work. More often, they do not. Occasionally, roles reverse, and you come to understand the other person’s state. That, too, can be a kind of consolation.\u003c\/p\u003e\n\u003cp data-start=\"1977\" data-end=\"2053\"\u003e❝“Cuteness” is the trace left behind by exhaustion, a mark of helplessness.❞\u003c\/p\u003e\n\u003cp data-start=\"2055\" data-end=\"2460\"\u003eAny moment in love can be given meaning. Its beginning, its development, its ending. From these causal links, intentions are inferred, and people construct love stories. But love stories belong to narration. They “submit to public opinion, and public opinion always diminishes excessive forces, compelling the lover to suppress their chaotic, aimless imagination, which runs free like an unbridled horse.”\u003c\/p\u003e\n\u003cp data-start=\"2462\" data-end=\"2745\"\u003eSo let us become lovers, without attempting to become the protagonists of a love story, and without trying to remain outside of it. Let us taste what it means to desire in this time: to truly experience the onset, the intensification, to feel both pain and joy, and then let it pass.\u003c\/p\u003e\n\u003cp data-start=\"2747\" data-end=\"2784\"\u003eNow, I know what I once did not know.\u003c\/p\u003e","brand":"商周出版","offers":[{"title":"Default Title","offer_id":47846646972654,"sku":null,"price":420.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0768\/4951\/2686\/files\/book2-7-2-2.png?v=1775144816"},{"product_id":"formosa-heat","title":"Formosa Heat 猛暑 ","description":"\u003cp data-start=\"131\" data-end=\"432\"\u003e❝Objects often outlive people, if you care for them. So if an owner lives long enough, they will eventually understand that they are merely keeping the object for its next owner. Owner? That might be the wrong word. Servant to the object is more fitting. In that sense, the object is the true master.❞\u003c\/p\u003e\n\u003cp data-start=\"434\" data-end=\"1007\"\u003eWhen we speak of “the most ornate writing of the last century,” we are referring to a once popular literary style. Through this technique, authors deliberately rendered a sensibility of Taiwan, a landscape of Taiwan that once existed within their consciousness. Beneath it lay a premonition of fear born from attachment to objects: a fear that those scenes, casually encountered at street corners, would one day disappear. They had to be preserved through a surrogate aesthetic of language, wrapped in intricate filters. Because the filter was, in fact, the eye of the era.\u003c\/p\u003e\n\u003cp data-start=\"1009\" data-end=\"1647\"\u003eAt the time, people believed that writing possessed a magical power to preserve what had never been seen. It was not about representation, but about recreation. The force of narrative driven by market demand had not yet emerged. Prose unfolded in a flowing, almost diaristic manner, like silkworms spinning threads across a flat surface. The reader, gathering those threads, relied entirely on intellectual appetite to move forward, to construct meaning. It was the era of flat composition in Taiwanese fiction. Every corner of the canvas competed for attention, striving to be seen. Yet what, ultimately, was the subject of the painting?\u003c\/p\u003e\n\u003cp data-start=\"1649\" data-end=\"2161\"\u003eBecause of this attachment to objects, works of science fiction did not derive their essence from science itself. Instead, they imagined futures where treasures were still salvaged from ruins. Because of this attachment, time in these stories did not alter one’s love for objects, but rather transformed the very form of the museum. Because of this attachment, yet not quite an attachment to people, these works ventured into experimental territory, envisioning a life designed for “those who have been cut off.”\u003c\/p\u003e\n\u003cp data-start=\"2163\" data-end=\"2286\"\u003eThere is always a period in life when, under a certain kind of anxiety, we begin to wonder whether we might spend it alone.\u003c\/p\u003e\n\u003cp data-start=\"2288\" data-end=\"2679\"\u003eIn the process of believing this may not be the case, while searching for a way out of seeming dead ends, we begin to ask what possibilities remain for those who, for various reasons, did not choose the path of family. It is a rare form of empathy. In such moments, we are able to imagine that the “homeless” might one day be ourselves. If that were true, would we be capable of living well?\u003c\/p\u003e\n\u003cp data-start=\"2681\" data-end=\"2844\"\u003eThus, the story omits the reasons why the protagonist chose to cryogenically freeze himself, and speaks only of the world he awakens to, and the life that follows.\u003c\/p\u003e\n\u003cp data-start=\"2846\" data-end=\"3289\"\u003eAt this point, he is entirely alone. He must attempt to understand this brave new world using the language of the previous century, and learn to live alongside strangers he encounters by chance. It is as if he has traveled to a distant land and must begin again. A body that has not aged, paired with a mind that no longer fits its time, finds its rightful place in literature. We live in the present, and yet we do not have to live within it.\u003c\/p\u003e\n\u003cp data-start=\"3291\" data-end=\"3780\"\u003eLike all science fiction, which invites us into a parallel future, we come to realize this: we should preserve ourselves the way we preserve the things we love. Because just as we possess an object, we also temporarily possess ourselves. This world, this entire city, is becoming a museum in which I am placed. The author curates this exhibition, casting it in the tones of “scorching heat,” and poses a question: can the burning warmth of the sun withstand what seems like eternal sorrow?\u003c\/p\u003e\n\u003cp data-start=\"3782\" data-end=\"3964\"\u003e❝These are fragments of the emotional ground tone of your love and resentment toward my city. In your lifetime, you will never again have the time to live this long in another city.❞\u003c\/p\u003e","brand":"麥田出版","offers":[{"title":"Default Title","offer_id":47846655033582,"sku":null,"price":340.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0768\/4951\/2686\/files\/book2-4-1.png?v=1775145742"},{"product_id":"letranger","title":"異鄉人 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